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Beyoncé Upsets More Country Fans, Rewrites Lyrics Of Dolly Parton Classic ‘Jolene’

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This article was originally published at StateOfUnion.org. Publications approved for syndication have permission to republish this article, such as Microsoft News, Yahoo News, Newsbreak, UltimateNewswire and others. To learn more about syndication opportunities, visit About Us.

Beyoncé upsets more country fans

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Beyoncé recorded a cover of Dolly Parton’s classic country song “Jolene” for her new album “Cowboy Carter,” giving the lyrics a more confrontational tone.

Parton speaks

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Parton speaks during an interlude, referencing Beyoncé’s previous song “Becky with the good hair” and comparing the situation to someone from her past.

Act II: Cowboy Carter

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Beyoncé’s anticipated foray into country music with her upcoming album “Act II: Cowboy Carter” has sparked a significant stir, fueling discussions on racial dynamics, genre boundaries, and the complexities of artistic expression within the music industry.

Racial criticism

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The unveiling of Beyoncé’s album and her response to racial criticism have underscored a profound reckoning with the barriers and biases that have historically shaped the landscape of country music.

Beyoncé issues threats

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While Parton’s original version pleads with the title character not to steal her man, Beyoncé issues threats, warning Jolene to stay away from her man and find her own.

It’s Dolly P

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“Hey miss Honey B, it’s Dolly P. You know that hussy with the good hair you sing about?,” Parton says.

Hurts just the same

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Parton adds, “Reminded me of someone I knew back when. Except she has flamin’ locks of auburn hair. Bless her heart. Just a hair of a different color but it hurts just the same.”

Won’t tolerate Jolene’s games

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The R&B star sings she’s also “a woman” who won’t tolerate Jolene’s games.

Excluded from country music

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The album was inspired by Beyoncé feeling excluded from country music in the past, leading her to deeply research its history. “Jolene, I’m a woman too/ Thе games you play are nothing new/ So you don’t want no hеat with me, Jolene,” Beyoncé sings. “I’m warnin’ you, woman, find you your own man” Beyoncé sings. “I’m still a Creole banjee [expletive] from Louisianne (Don’t try me).”

Over five years

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This album has been over five years in the making,” Beyoncé wrote.

Did not feel welcomed

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“It was born out of an experience that I had years ago where I did not feel welcomed … and it was very clear that I wasn’t,” Beyoncé explained. “But, because of that experience, I did a deeper dive into the history of Country music and studied our rich musical archive. It feels good to see how music can unite so many people around the world, while also amplifying the voices of some of the people who have dedicated so much of their lives educating on our musical history.”

Anticipation and curiosity

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Beyoncé’s announcement of her country album “Act II: Cowboy Carter” has ignited widespread anticipation and curiosity, heralding a departure from her established musical repertoire. The revelation of her upcoming body of work has evoked both enthusiasm and scrutiny, as it marks a notable expansion of her artistic versatility while challenging established genre conventions.

Addressed the issue

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In response to racial backlash for her decision to venture into country music, Beyoncé addressed the issue of racial prejudice within the genre. Her candid acknowledgment of the racial criticisms she has faced underscores the pervasive challenges and limitations imposed on artists of color within the country music landscape, initiating critical conversations on inclusivity and representation.

Black artists

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The controversy surrounding Beyoncé’s country album has reignited discussions on the historical exclusion of Black artists from the country music genre. The enduring legacy of gatekeeping and systemic exclusion has hindered the recognition and representation of Black musicians within a genre deeply rooted in the contributions of Black forerunners.

Norms of the industry

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Beyoncé’s entry into the realm of country music symbolizes a pivotal moment challenging the entrenched norms of the industry. The significance of her presence as a prominent Black artist in a genre marked by historical underrepresentation carries profound implications for the broader narrative of inclusivity and diversification within music.

Rich musical heritage

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Beyoncé’s “Act II: Cowboy Carter” reflects a deliberate effort to reclaim and honor the rich musical heritage that underpins the country genre. Her exploration of country music signifies an endeavor to amplify the voices and legacies of Black artists who have significantly contributed to the genre’s evolution and cultural tapestry.

Artistic freedom

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The controversy surrounding Beyoncé’s country album underscores the imperative of fostering an environment that embraces artistic freedom and transcends restrictive genre boundaries. The evolving discourse on inclusivity and representation within the music industry reflects a broader reckoning with the systemic barriers that have historically shaped creative expression.

Genre inclusivity

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The unveiling of Beyoncé’s country album “Act II: Cowboy Carter” represents a transformative juncture in the music industry, epitomizing the profound intersection of artistic innovation, racial dynamics, and genre inclusivity.

Diverse musical expressions

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As the discourse continues to unfold, the imperative of fostering an environment that celebrates diverse musical expressions and amplifies underrepresented voices remains paramount in shaping a more inclusive and equitable future for music.

1 Comment

1 Comment

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    May 11, 2024 at 3:48 pm

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